The Enlightenment versus Romanticism


Enlightenment writers valued thought, reason, and common sense.

Romantic writers valued emotions, imagination, and individual experience.

In the Enlightenment, literature was the artful turning of real-life happenings into a literary composition portraying a fictional character.

In Romanticism, literature expressed the personal feelings of the author, as they were spontaneous, and not the man in action in the composition.

Enlightenment writers paid attention to the poetic "eye," where the reader sees the other person through the author's eye.

The Romantics paid attention to the poetic "I," meaning the reader sees the author in the protagonist.

For Enlightenment writers, human beings were an important part of the social organization, and were the main subject of literature.

Romantic writers appreciated nature in their literature; the individual's relationship to nature was paramount.

To Enlightenment writers, formal rules, diction, vocabulary, and grammar were very important.

The Romantics saw formal rules, diction, vocabulary, and grammar as less important; they focused on using "the language of the common man."

Enlightenment writers believed in order in all things.

Romantic writers believed in the spontaneity of thought and action.

Enlightenment writers wrote about objective issues that concerned society as a whole, such as politics and religion.

Romantics writers wrote about the subjective experiences of the individual, such as one's desires, hopes, and dreams.

Enlightenment writers strictly maintained traditional standardsin form and genre.

Romantic writers believed in experimentation in form and genre.

Enlightenment writers exercised controlled wit.

Romantic writers celebrated strong passion and vision.

Enlightenment writers focused mainly on adult concerns, primarily those of the ruling class.

Romantic writers reflected on the experiences of childhood, primitive societies, and the common man.


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Characteristic Enlightenment Romanticism Realism Modernism
Valued Qualities in Literature Decorum, concision, restraint, balance, reason, regularity, wit Emotion, introspection, passion, sublimity, beauty, spontaneity, irregularity, picturesque Realistic, clear, precise, serious, truthful, accurate Abstract, strange, fragmented, innovative, disconnected, surreal, absurd, collage-like
Subjects manners, politics, social concerns -- “The proper study of mankind is Man.” – Alexander Pope Humankind, nature, the soul, individuality, women, children, animals, flowers, rural, common people The current time, facts of an individual’s life, housewives, business / commerce, social conditions, everyday occurrences The human mind, violence, war, death, hyperreality, jazz, mass media, social feminism, the self as confused, political change, loneliness, human anxiety, the outcast
Social Values absolute, public, rational private, spiritual (but not organized religion), universal spirit in nature and humankind objectivity, moral behavior, money, life doesn’t always have happy endings abandonment of past social, religious, and artistic traditions; the New, uncertainty, ambiguity; “profound truth” is relative; “God is dead.” Nietzche
The Writer Witty, gentlemanly, moral, incisive, rational, capable of moral outrage Solitary, reflective, inspired, a person of imagination, visionary Detached observers, recorder of facts, deemphasizing the writer’s importance Remote, detached, angry, emotionally withdrawn, alienated, ironic
Settings The urban; rural settings are ignorant and unmannerly Rural, the countryside, city is the seat of corruption and greed The city, the factory, inside the house “city consciousness,” masses isolated within the city, the internal minds of characters, symbolic settings: jungle, wasteland, desert
Allusion / History Biblical, Classical Greece and Rome The mythic, medieval, gothic, but not Classical references Contemporary events—here and now Quantum physics, myth, Bible, foreign languages, street life, personal, psychology, sociology, agonized recollection of the past
Language Dressed up language, formal, full of allusions, didactic Beautiful, colloquial, creative Technical, clinical, detailed, realistic Experimental, self-conscious, without punctuation or capitalization, breakdown of rational thought, improvisational, mixture of styles
Genres Satire, epistle, epic, sonnet Lyric, ode Novel, drama, newspaper Mass communication (radio, TV, film), stream of consciousness, mixed forms (prose poems)
Form Formal, regular meter, regular rhyme scheme Less formal, may have irregular meter and rhyme Natural, realistic, not contrived Free verse, experimental (often as important as the meaning), riddle, puzzle, game between author and reader, non-chronological
Ideas about Nature The order of things, harmony, rationality, the real world as we experience it is divinely ordered External world is beautiful, nature is creative and moral, nature inspires human imagination Described in clinical detail, biology influenced view of nature (genetics, natural selection) World as a wasteland, decaying, can be manipulated by humanity, writers can change the way readers view nature, nature is radically different than it used to be (bomb)