The Status Quo before Négritude: Results of the Scramble for Africa.
As subjects of various colonial projects, African tribesmen were basically slaves, working for no wages, to meet high demands, and were punished with the removal of limbs from either themselves or family members for not meeting quotas. It was a brutal and dark time in Belgian and Congolese history.
During the Herero Wars (1904-1907), the German empire decided to annihilate the Herero, Namaqua, and San people. They would corner them in the Namibia desert, and let them die of starvation or dehydration. Those that surrendered (like the ones pictured above) were rounded up and put in concentration camps to work almost to their deaths. Up to 100,000 men, women, and children died. Many historians consider this to be the first true genocide of the 20th century.
Négritude
Négritude was both a literary and ideological movement, led by French-speaking black writers and intellectuals. The movement is marked by several important ideas:
The rejection of European colonization and its role in the African diaspora.
Denouncing Europe's historical lack of humanity when it dealt with Africa.
A pride in "blackness" and traditional African values and culture.
A recognition that the divide between the rich and the poor will never be addressed by the rich, thus the poor must do so.
Les Trois Pères
The three founders/fathers of Negritude (les trois pères), Aimé Césaire, Léopold Sédar Senghor, and Léon-Gontran Damas, met while studying in Paris in 1931 and began to publish the first journal devoted to Negritude, L’Étudiant noir (The Black Student), in 1934.
The Audacious Term
The term "Négritude" was coined by Césaire in his Cahier d’un retour au pays natal (Notebook of a Return to the Native Land, 1939) and it means, in his words, "the simple recognition of the fact that one is black, the acceptance of this fact and of our destiny as blacks, of our history and culture."
Césaire's first work is notable for its disavowal of assimilation as a valid strategy for resistance and for its reclamation of the word "nègre" as a positive term. "Nègre" previously had been almost exclusively used in a pejorative sense. Césaire deliberately and proudly incorporated this derogatory word into the name of the movement.
Scope
Even in its beginnings Négritude was truly an international movement. It drew inspiration from the flowering of African-American culture brought about by the writers and thinkers of the Harlem Renaissance while asserting its place in the canon of French literature. It privileged the traditions of the African continent, and attracted participants in the colonized countries of the Caribbean, North Africa, and Latin America.
Sympathizers and Critics
The movement’s sympathizers included French philosopher Jean-Paul Sartre and Jacques Roumain, the founder of the Haitian Communist party. The movement would later find a major critic in Wole Soyinka, the Nigerian playwright, poet, and Nobel Laureate, who believed that a deliberate and outspoken pride in their color placed black people continually on the defensive, saying notably,
"Un tigre ne proclâme pas sa tigritude, il saute sur sa proie," or "A tiger doesn’t proclaim its tigerness; it jumps on its prey."
Négritude remained an influential movement throughout the rest of the 20th century, and is one of the driving forces behind things like the Mau Mau uprising in Kenya, and the Black Arts and Black Power Movements in the US.